Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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BALDUNG GRIEN, Hans
Three Ages of the Woman and the Death rt4

ID: 04922

BALDUNG GRIEN, Hans Three Ages of the Woman and the Death  rt4
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BALDUNG GRIEN, Hans Three Ages of the Woman and the Death  rt4


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BALDUNG GRIEN, Hans

German Northern Renaissance Painter and Printmaker, ca.1484-1545  Related Paintings of BALDUNG GRIEN, Hans :. | Adam fjj | Witches Sabbath | The Seven Ages of Woman ww | St Christopher | Prudence hhh |
Related Artists:
Charles Van Beveren
Charles van Beveren, born at Mechlin in 1809, was instructed in the rudiments of art in the academy of his native city and at Antwerp. He settled in Amsterdam in 1830, subsequently visiting Paris, Rome, and other cities of Italy, and distinguished himself as a painter of history, genre, and portraits. He died at Amsterdam in 1850. The best known of his works are: The Confession of a Sick Girl (in the Pinakothek at Munich). Male Figure. A study (in the Rotterdam Museum). The Vision of St. Ignatius. The Death of St. Anthony of Padua (in the church of Moses and Aaron at Amsterdam, his chef-d'oeuvre).
Thomas Lyde Hornbrook
painted Vista do Outeiro da Gloria in 1838
Jacopo Bassano
Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.






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